54 x 65 cm
Ben Vautier, who now lives and works in Nice, was born in Naples, Italy, on 18 July 1935. After years of moving from place to place, his parents took the family to Nice in 1949.
Inspired by Yves Klein, Marcel Duchamp and the Nouveaux Réalistes, Ben Vautier developed a distinctive personal style with leanings towards Dada. During the latter half of the 1950s, Vautier – years before Andy Warhol did anything of the kind – produced work based on variations on a highly simplified banana motif. In addition, Vautier worked with configurations composed of multiple individual parts recalling Jean Tinguely’s machines. By now Ben Vautier had found what would become his trade mark: instructions and explanations written in cursive writing on objects.
Between 1958 and 1973 Ben Vautier ran a record shop in Nice, “Magazin”, which caused a stir because of the way Ben Vautier had designed the façade and the interior. In 1959 Vautier founded the journal “Ben Dieu”. A year later he had his first one-man show, “Rien et tout” [“Nothing and Everything”] in “Laboratoire 32” on the first floor of his shop. Taking Duchamp’s “ready-mades” as his starting-point and realising it was only the artist’s signature, in
Lives and works in Nice, France
Selected Solo Shows
"Rien d'impossible", Galerie & Châteaux Mme de Graffigny, Villers-lès-Nancy, France
"Je ne suis pas Picasso", Musée Magnelli, Vallauris, France
"La muerto no existe", MUAC, Mexico City, Mexico
"La vie est un film. Ben et ses invites.", Le 109, Nice, France
"Quelle est la question?", Galerie Lara Vincy, Paris, France
"Vide Grenier de Ben", Galerie Guy Pieters, Knokke-Heist, Belgium
"Tout est art - Ben au Musée Maillol?", Maillol Museum, Paris, France
"Je suis ce que je suis", Musée d’Art Contemporain Saint Martin, Montélimar, France
“Ben L’incroyable foutoir“, Galerie Lara Vincy, Paris, France
"Il faut rire", Yves Brayer Museum, les Baux-de-Provence, France